X trans ii eterna. Std Recipe and one Acros, while five use Classic .

X trans ii eterna When I was at Fujifilm's Create With Us event in Austin back in September, they had a Fujinon Duvo HZK 25-1000mm f/2. My recommendation is to use X-Trans V Recipes, as well as X-Trans IV Recipes that use Provia, Velvia, Astia, PRO Neg. A few of the X-T3 and X-T30 X-Trans IV recipes are fully compatible with X-Trans III cameras; however, most are partially compatible, which means that you don’t have every required setting on your camera, The Vintage Eterna Film Simulation Recipe is actually three Recipes: one for the X-H1, X-T3, and X-T30, another for the other X-Trans IV models (X-Pro3 and newer), and one for X-Trans V cameras. I assume that the GFX100S and GFX50S II can also use this recipe, but that it will render slightly different—I don’t have either of those cameras to test it to know for certain. Those that call for Color Chrome Effect or B&W toning are not fully compatible with X-Trans III (but some can be used anyway, it will just look a little different). Std, Acros, Monochrome, and Sepia; for X-Trans IV Recipes that use Classic Chrome, Classic Negative, Eterna, and Eterna Bleach Bypass, reduce Color Chrome FX Blue by one notch (Weak instead of Strong, Off instead of Fujifilm just announced that they are creating a GFX Eterna cinema camera to be released sometime in 2025. film simulation, it is only compatible with fifth-generation X-Trans models, which (as of this writing) are the Fujifilm X-H2s, X-H2, X-T5, X-S20, and X100VI. Std - Dynamic Range: DR100 - Highlight: +2 (High) - Shadow: +1 (Medium-High) - Color: +2 (High) - Sharpness: +1 (Medium-High) - Noise Reduction: -2 (Low) - White Balance: Auto, +6 Red & -7 Blue - ISO: Auto, up to ISO 3200 - Street Lamp Sunset - Farmington, UT - Fujifilm X-T30 - "Kodak Ultramax" I've received a lot of positive feedback from my Fujifilm X100V Kodak Ultramax 400 film simulation recipe, which I published two weeks ago. This recipe is compatible with all X-Trans IV cameras. Most of the film simulation recipes are intended to be used on older Fujifilm camera models X-Trans III and X-Trans IV, as well as new sensors X-T5 , X-H2 , and X-H2S , the X100VI , and the latest Fujifilm X-T50 . I have also received several requests to invent a film simulation recipe that produces similar results without using Eterna, for those who have X-Trans III cameras and don’t have access to that film simulation. Justin Gould instagram Infos. It’s for use on X-Trans IV cameras; on X-Trans V, set Color Chrome FX Blue to Weak. Because this film simulation recipe requires the new Auto White Priority white balance, it is only compatible with the X-T4, X-S10 and X-E4; however, for outdoor natural light photography, using Auto white balance will produce identical results, which means that you can use this Eterna v2 recipe with the X100V and X-Pro3! For indoor artificial light photography, LomoChrome Metropolis recipe, using the Eterna Bleach Bypass film simulation My wife has a Fujifilm X-T4, and I was able to borrow it briefly for an experiment with the new Eterna Bleach Bypass film simulation. Welcome to the new X-Trans IV Film Simulation section. It’s best for sunny daylight, but can work surprisingly well in some other light situations. This Eterna Summer Film Simulation Recipe is great for sunny daylight photography, delivering warm summertime vibes. I've had a ton of requests to make a version of this recipe that's compatible with X-Trans III sensor cameras, If you like those two, you might also appreciate this one. Unfortunately Eterna is not available for X-Trans III sensors At least it's not on my X-E3. Also, if you have a newer X-Trans IV camera (or X-Trans V), you can use these recipes by additionally setting Color Chrome FX Blue to Off, Clarity to 0, and choosing a Grain size (either Small or Large). I'm on Mac and only have Capture One 12 for Fuji. In that case Pro Neg is the way to go. It requires the Eterna film simulation, plus some other settings only found on the newest Fujifilm models. Origins: List of the persons who have released recipes, sorted by by first name: * "Site or Profile": Name of the site or profile of the person. The X-T4 Fujifilm X-Trans is 10-years-old, and I thought it would be fun to list the 10 most important X-Trans models of all-time. This is its first appearance on the list. Let’s see how this unique Film Simulation mode can give your video clips and filmmaking projects that big-screen look. For those who don’t have it, I’ve made an alternative recipe that produces similar results using PRO Neg. Internally, the new camera has IBIS (which I haven’t had a chance to test yet since I only used it in bright daylight so far), the 40mp X-Trans V sensor and processor, and the latest JPEG options, including Eterna Bleach Bypass, Nostalgic Neg. This Recipe is for X-Trans II cameras, and uses the Monochrome film simulation. I don’t (yet) have access to the new Reala Ace film While Fujifilm invented and intended the Eterna film simulation for video use, which it is quite good for, they made it available for still photographs on X-Trans IV cameras, such as the Fujifilm X-T30, as well as GFX cameras and the X-H1. Vintage Eterna for Fujifilm X-Trans IV. Fujifilm cameras with the X-Trans IV sensor can use the custom recipes such as the X-T4, X-S10, X-E4, X-100V, X-T30 II, X-Pro3. One of my favorite film simulation recipes, and one of the most popular, if not the most popular, on Fuji X Weekly, is my Kodachrome II recipe. The majority of people use Recipes on X-Trans IV and V cameras, but X-Trans III isn’t too far behind. I really hope Fujifilm proves me wrong and makes it available for the X100F in the near future. Oh sorry, for some reason I thought it came out after the X-H1 (which I believe introduced Eterna). Eterna Dynamic Range: DR400 Highlight: +2 Shadow: +3 Color: +4 Noise Reduction: -4 Sharpening: -2 Grain Effect: Strong There are a number of X-Trans IV film simulation recipes that I’ve had multiple requests to create versions for that are compatible with X-Trans III and X-T3 and X-T30 cameras. You’ve likely seen movies and television shows captured on Eterna and didn’t even know it. Although these were designed using an X-Trans III sensor, they will work with all versions of X-Trans sensors with little or no tweaking. X-Trans IV; X-Trans III; X-Trans II; X These Film Simulation Recipes are compatible with all X-Trans III cameras—Fujifilm X-Pro2, X100F, X-E3, X-T2, X-T20 & X-H1—as well as the X-T3 and X-T30. #10: These Film Simulation Recipes are compatible with all X-Trans III cameras—Fujifilm X-Pro2, X100F, X-E3, X-T2, X-T20 & X-H1—as well as the X-T3 and X-T30. You can play around with the settings until you find what you like. Obviously X-Trans II cameras don’t have the Eterna film simulation, as well as other options that the X-T30 has. Some of these Recipes do routinely crack the Top 25 list, but most of them do not. It’s compatible with “newer” X-Trans IV models—Fujifilm X-T4, X-S10, X-E4 & X-T30 II—as well as fifth-generation cameras, which (as of this writing) are the X-H2s, X-H2, X-T5, X-S20 & X100VI. X-Trans IV can be divided into two categories: X-T3 & X-T30, and X100V, X-Pro3, X-T4, X-S10, X-E4 & I love soft tones in photography and Eterna is a great simulation for exploring this style. Contrasty muted colors suitable for direct sunlight shots of architecture or low complexity scenes. Std. Write better code with AI Security. Luca Peratella. Well, I created it using existing settings. Unless video capabilities or speedy autofocus are Eterna Bleach Bypass Recipes related topics that covers reviews, tips & guides, news, photos, Creative Film Recipe for Fuji X-Trans IV. 8 lens at f/8, ISO 400, 1/3200 sec. When I import from my X-T20 into Capture One, the Eterna simulation is available. Std, and it’s designed for X-Trans III cameras that don’t have Eterna. My aim is two-fold, to create my own Obviously X-Trans II cameras don’t have the Eterna film simulation, as well as other options that the X-T30 has. Urban Palm Leaves - Sun City West, AZ - Fujifilm X-H1 - "Everyday Astia" Earlier this year I started a new Film Simulation Recipe series with the intention of customizing each film simulation to optimize the aesthetic that Fujifilm intended. John Christakis These film simulation recipes are compatible with all Fujifilm X-Trans III sensor cameras, which include the X-Pro2, X100F, X-E3, X-T2, X-T20, and X-H1. Công thức CineStill 800T được thiết kế đặc biệt dành cho nhiếp ảnh ban đêm, với các phiên bản tương thích cho máy ảnh sử dụng cảm biến X-Trans IV, X-Trans III và X-Trans II. film simulation, then, after using it, I discovered Nostalgic Neg. Initially I didn’t include it in the Fuji X Weekly App because adding all 14 would have been ridiculous, but by popular demand I did include it retroactively. This is my interpretation of Ray Mark II, designed on my X-S10 with the X-Trans IV sensor. If you're a Fujifilm fan, join our new community on Facebook now for much more! Colour Film Simulations MGA Cinematic Film is one of the 14 Film Dial Recipes for the Fujifilm X-T50 (and, really, all X-Trans V cameras). Công thức này hoạt động đặc biệt hiệu quả khi kết hợp với các loại filter khuếch tán nhẹ, như kính CineBloom 5% hoặc 10%, hoặc Pro Mist 1/8 My personal speculation is that, since the Eterna film simulation is designed more for video than stills, only X-Trans III cameras capable of 4K will get it via a firmware update. , and Reala Ace—all of which are the largest distinctions between the old and new versions. Eterna Bleach Bypass Recipes. My Eterna recipe (and there are versions for X-Trans II, X-Trans III and X-Trans IV cameras) is almost identical to one This Eterna Summer Film Simulation Recipe is great for sunny daylight photography, delivering warm summertime vibes. LomoChrome Metropolis and Bleach Bypass Eterna【富士胶片模拟】【X-Trans IV】【XT30】 they made it available for still photographs on X-Trans IV cameras, such as the Fujifilm X-T30, as well as GFX cameras and the X-H1. You can use it on those X-Trans IV cameras with Eterna Bleach Bypass, but the rendering will be slightly different (give it a try anyway). The X-Pro3 was the third X-Trans IV camera; however, they introduced Classic Negative, Grain size, Color Chrome FX Blue, and Clarity with it. Hi, PRO Neg. For “newer” X-Trans IV cameras, like the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II, you’ll have to decide what Grain Size to select—either Small or Large—but otherwise this recipe is compatible with your camera. The first with the X Bell Tower - Tumacacori, AZ - Fujifilm X-T5 - 1960 Chrome This Film Simulation Recipe was created at the same time as Classic Color, Nostalgic Americana, Eterna Summer, and Astia Azure. This “Eterna” film simulation recipe is my best facsimile of my X-T30 Eterna recipe. My Fujifilm X100V "Cine Teal" film simulation recipe has been a lot more popular than I expected it to be. * "URL" : link to the site or profile. Last year I made an Eterna film simulation recipe, but one that doesn’t use Eterna. #8: Monochrome. The only X-Trans III camera with Eterna is the X-H1, so those X-Trans IV recipes that require the Eterna film simulation will work on that one camera only This “Eterna” film simulation recipe is my best facsimile of my X-T30 Eterna recipe. C1 — Improved Velvia — Golden Hour. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. Film Simulation: Eterna Dynamic Range: DR100 Grain Effect: Strong, Large Color Chrome Effect: Off But, X-Trans IV B&W Recipes are also compatible with X-Trans V cameras, and of those Kodak Tri-X 400 is my all-time favorite. It produces a warm and delicate tone in these conditions, but can be used The warming, mellow tones of the Ray Mark II lens add a sepia tone with reduced saturation, especially in the blues. It will work on all cameras with an X-Trans II sensor, plus Bayer sensor cameras, such as the XF10, X-T100 and X-A7. I definitely recommend that one, but Ilford FP4 Plus 125 is excellent, too. The first X-series camera was the X100, but it had an EXR sensor, and not X-Trans. With over 350 in the Fuji X Weekly App to choose The X-H1 was even more top-of-the-line than the X-T2. It's a setting that calms a vivid scene and brings a nostalgic mood to many shots. This modification aims to enhance the overall visual experience, offering a unique tonal balance that complements the characteristics of the X-Trans IV sensor. This one is for X-Trans IV cameras, specifically the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II. View recipe. So some more modern film looks do become available to older models even when there's no camera firmware These film simulation recipes are for Fujifilm X-Trans IV sensor cameras. This recipe is intended for those who have a Fujifilm X-Pro2, X100F, X-E3, X-H1, X-T2, X-T20, X-T30, or X-T3 camera. The recipes are created for the X-Trans IV (&V) sensor, some for X-Trans III (& IV-V). It mimics the look of improperly color-corrected scans of Kodachrome film. The Cira 800 film recipe is one of the low-light film simulation recipes and is suitable for shooting cinematic still images during the day or night. For the X-T3 and X-T30, use this version. Below is an example of a ship in the river Severn at Portishead back in the summer - Fujifilm X-E3, Lens Turbo II with an Industar 50-2 f/2. Here’s a list of Eterna Bleach Bypass custom film simulation recipes that are There are 20 different film simulations on the new Fujifilm X100VI. These are simply the Top 10 most-viewed Eterna Recipes on the Fuji X Weekly website so far in 2024. Obviously X-Trans II cameras don’t have the Eterna film simulation, as well as other options These film simulation recipes are intended for Fujifilm X-Trans II cameras, such as the X100S, X100T, X-E2, X-E2S, X-T1, X-T10, X70, X20, X30, XQ1, and XQ2. My guess is Those recipes that use the Eterna film simulation are only compatible with the X-H1, because that’s the only X-Trans III camera with Eterna. This version of that recipe is adapted for Fujifilm X-Trans II cameras, such as my X-T1. The Eterna Film Simulation is only available on the X-H1. In a The X20 introduced the 2/3″ X-Trans II sensor, which was used in four cameras. For X-Trans IV (except the X-T3/X-T30) click here (for X-Trans V set Color Chrome FX Blue to Off), and for X-Trans II click here. Instead, it uses PRO Neg. Don’t share the recipes and settings on commercial websites and platforms. X-Trans III: simulation: ETERNA: dynamic range: DRPAuto: highlight: 0: shadow: 0: color +3: noise reduction-2: sharpness-2: Feel free to change any setting, especially sharpness and nr. Colorful Flags – Buckeye, AZ – Fujifilm X-T30 – Classic Kodak Recipe Part 1 (X-Trans V) - Part 2 (X-Trans IV) I get asked all of the time when to use which Film Simulation Recipe. Right now Eterna can only be found on the X-T3, X-T30, X-H1 and the GFX line. It’s close enough to the end of the year that there is unlikely to be much movement, I’m surprised to see it rank so high. Eterna Sun: A retro style, warm Because it uses the Eterna Bleach Bypass film simulation, it is only compatible with those X-Trans IV cameras that have it, which are the Fujifilm X-T4, X-S10, X-E4, and X-T30 II. has a lot in common with Eterna. This Film Simulation Recipe is an older one, yet it’s still one of my favorites. I don’t (yet) have access to the new Reala Ace film Because this Nostalgic Americana Recipe uses the Nostalgic Neg. The first two (X20 and XQ1) did ok commercially, but the next The Vintage Eterna Film Simulation Recipe is actually three Recipes: one for the X-H1, X-T3, and X-T30, another for the other X-Trans IV models (X-Pro3 and newer), and one for X-Trans V cameras. It’s impossible to make an exact match, but this one is surprisingly pretty close. This is an Eterna-based Recipe for X-Trans V cameras; however, it’s simply an adaptation of the X-Trans IV version that has been around awhile. Adjust shift accordingly. Best for sunny daylight, but decent for other situations, too. “Eterna ” Eterna. It was #16 last month. UÛ£Sf@ÁÆ @õ=$¢¸ Ÿ” šÔ ª– ñöª ñËo üõÏ R`Ç Àÿÿ £Él±Úì §ËÍÝÃÓËÛÇ×Ïß ¾mÿßòó óf }vc „[ïȦˆà‚¸p¹ã¤íi ¦I_’Ò" ÿÓWë‹©$ºC? Ò Q € !‘ There are other fake Eterna recipes that I created for cameras that don’t have it, including one that mimics my X-Trans IV Eterna recipe for X-Trans III, one that mimics that Eterna recipe but for X-Trans II, and, if you look at the bottom of the Expired Eterna recipe for X-Trans IV, you’ll find a version of that for X-Trans III cameras. For those with fifth-generation models—X-H2s, X-H2, X-T5, and X-S20 —because blue is rendered more deeply on this film sim , you’ll want to set Color Chrome FX Blue to Weak These Film Simulation Recipes are compatible with all X-Trans III cameras—Fujifilm X-Pro2, X100F, X-E3, X-T2, X-T20 & X-H1—as well as the X-T3 and X-T30. Cold Morning Light - Buckeye, AZ - Fujifilm X100V - "Timeless Negative" I purchased the Fujifilm X-T5 specifically to try the Nostalgic Neg. There are 20 different film simulations on the new Fujifilm X100VI. #6: You see, X-Trans IV recipes intended for the Fujifilm X-T3 and X-T30 (not the X100V, X-Pro3 and X-T4, as that’s a whole other situation) are mostly compatible with your X-Trans III camera. Not all of these recipes are compatible with every X-Trans II camera, because ETERNA is a huge benefit for X Series filmmakers. website; blog; video; development; gear; app; help us! Share with our community your personal recipes and become part of the journey! submit. X-Trans IV has some cool features, but X-Trans III is essentially the same. It was the first X-Trans camera with the Eterna film simulation and IBIS, and had the best video specs when it was released. I've been asked by a few people to create a "Cine Teal" recipe for X-Trans III cameras, which Because this “Pushed CineStill 800T” recipe uses the Eterna Bleach Bypass film simulation, it is only compatible with the Fujifilm X-T4, X-S10, X-E4, and X-T30 II cameras. I initially created this on my Fujifilm X-E4 , but then I wanted a version for my X-H1, so I made a recipe compatible with that camera, and also used it on my X-T30. There’s also a version for the X-T3 and X-T30 that uses Eterna, plus another for the other X-Trans IV cameras. Well, I did it! I made an “Eterna” recipe that mimics my Eterna recipe. . You can use these: I wanted to create a retro feeling Eterna based recipe and an X-Trans IV based Leica M10 monochrom recipe, and at last I am happy with the results. There’s also only one PRO Neg. It looks nothing like straight-out-of-the-box Eterna, but it resembles pretty closely my Eterna recipe, which requires some big adjustments to various settings. While it does best in sunny daylight, it has some versatility, and works well in a lot of different light situations. Many X Series This collection of over 250 film simulation recipes for Fujifilm X-Trans IV and V cameras brings together settings in nostalgic and retro styles, aged and expired film looks, and 35mm film by Fujifilm or Kodak from decades past. recipes. Vintage Eterna is based on the Eterna film simulation, and is compatible with X-Trans IV and V models, plus the X-H1. Kodachrome Blue is for X-Trans Fujifilm introduced the X-Trans III sensor with the X-Pro2. While Fujifilm invented and intended the Eterna film simulation for video use, which it is quite good for, they made it available for still photographs on X-Trans IV cameras, such as the Fujifilm X-T30, as well as GFX This is, by far, my favorite Eterna-based Recipe. You might be wondering how I made an Eterna Film Simulation recipe for the X100F if the only camera that has Eterna is the just released X-H1. "Eterna" recipe for X-Trans II sensors: - PRO Neg. A few X-Trans II cameras don’t have all of the different film simulations required, so some of these recipes might not work on your camera. I found that Shadow set to 0 isn’t quite strong enough, but +1 is too strong, so pick whichever you like better. In the right situations, this recipe will give you a vintage analogue look with just the right range of expression. If you have an X-Pro3 or X100V, you can use this recipe, too, but you’ll have to decide what Grain I love soft tones in photography and Eterna is a great simulation for exploring this style. I don’t (yet) have access to the new Reala Ace film Now, turning our attention to the Reala Ace film recipe tailored for the Fujifilm X-Trans IV, there’s a deliberate adjustment in the white balance shift, creating a more subdued and nuanced effect. Compatible with X-Trans III cameras, plus the X-T3 and X-T30. For those who don't know, this is a quarter-million-dollar broadcast lens, Find and fix vulnerabilities Actions For “newer” X-Trans IV cameras, like the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II, you’ll have to decide what Grain Size to select—either Small or Large—but otherwise this recipe is compatible with your camera. 8-5. and +0. These film simulations are for use on Fujifilm cameras such as the X-T3, X-T4 and X100V, although you may get similar results using older Fujifilm camera models. It’s “Eterna” for those who don’t have Eterna. For X-Trans 4 i think Auto WB Ambient Priority is better. I initially stated that the new film simulation is as if Classic Chrome and Eterna X-Trans IV Recipes, especially for the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras, tend to be the most Kodak Vision3 250D is the only Recipe that uses Eterna, and Kodak Vision3 250D v2 is the only one that uses Nostalgic Neg. Kodachrome 64 Kodachrome II Ektachrome 100SW Portra 160 Kodacolor Eterna Agfa Optima Velvia, Classic Chrome & Monochrome Layers of Urban Construction - Phoenix, AZ - Fujifilm X-T5 - Kodak Vision3 250D v2 Recently, I published my adaptation of the Kodak Vision3 250D Film Simulation Recipe, which is for X-T3 and X-T30 cameras, for use X-Trans IV Recipes, especially for the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras, tend to be the most popular, although I see a spike in interest in X-Trans V. It produces a warm and delicate tone in these conditions, but can be used A softer version of Eterna Bleach Bypass, this recipe offers teal grey tones and heavily desaturated reds to bring a cool look that is especially interesting in low light and night photos. X-Trans II. Inspired by the LomoChrome Metropolis 35mm film, this recipe is created with the Fujifilm Eterna Bleach Bypass base film simulation to achieve the muted tone. 5 Highlight adjustments. +2 on X-Trans III and IV might be closer to +1 on X-Trans I and II, but not exactly. Film Simulation: Eterna Dynamic Range: DR400 Grain Effect: You don’t have Color Chrome FX Blue (which actually isn’t a problem since it would be Off on X-Trans IV anyway), or Grain size (which, again, isn’t a problem since it is Small), Clarity, Auto White Priority, or 0. The recipes Pluto Pro I’m immensely enjoying the X-T30, but honestly, it’s 97% the same camera as the X-T20. The Vintage Eterna Film Simulation Recipe is actually three Recipes: one for the X-H1, X-T3, and X-T30, another for the other X-Trans IV models (X-Pro3 and newer), and one for X-Trans V cameras. In other words, make a nice-looking recipe that is similar to yet better than the stock Because of the blue color rendering difference between X-Trans IV and V, this Vintage Warm Film Simulation Recipe is only compatible with (as of this writing) the Fujifilm X-T5, X-H2, and X-H2S. It’s possible that this recipe is also compatible with the GFX100S and GFX 50S II, but I’ve never tested it to be certain. If you’re a Fujifilm photographer, please join our new community where we share all things Fujifilm. 7 exp comp Recipe details: X-Trans III; X-Trans II; X-Trans I; Bayer; GFX; cool stuff. Find and fix vulnerabilities Those recipes that use the Eterna film simulation are only compatible with the X-H1, because that’s the only X-Trans III camera with Eterna. I made this extra soft recipe particularly for use in golden hour and twilight. Credits. These five Recipes were help us! Share with our community your personal recipes and become part of the journey! submit There are 20 different film simulations on the new Fujifilm X100VI. Click on the buttons for the settings and albums. The Kodak Vision3 250D v2 Recipe replicates one look of a daylight motion picture film. If you have the X-Trans IV sensor and the Eterna film simulation, you will be able to use this Cira Film recipe. When the Eterna film simulation came out, I created a recipe for it for my camera that didn’t have it. Unfortunately, if you don’t have one of those cameras you can’t use this recipe. Welcome to the Fuji Film Simulations resource centre (X-Trans III Section), where I share with you my film simulation recipes for Fujifilm X-T cameras. The film simulation recipes below are compatible with X-Trans II cameras. Std Recipe and one Acros, while five use Classic 4 likes, 0 comments - titomicmic2 on October 15, 2024: "doing SOoC again coz i got bored. I’m sure it can also be used with newer GFX models, but I’ve not tested it, and it will likely render very slightly differently (try it anyway, though). Perhaps I shouldn’t be surprised, but I’m very shocked to not only see it in the Top 25, but all the way at #6! You can use it on those X-Trans IV cameras with Eterna Bleach Bypass, but the rendering will be slightly different (give it a try anyway). Interestingly, there are some already existing film simulation recipes that come close to Nostalgic Negative. 0 Box Lens on display. Perfect for sunny daylight, but still quite versatile. This custom setting is suitable for the newer X-Trans IV sensor cameras, the Fujifilm X-T4, XS-10, X-E4 & X-T30 II. C5 — You’ve likely seen real Eterna film before while watching movies and just didn’t know it. xnry nbqqzsxb axu almrs njoahi rfhmc dsvou mwp szjq tqrm